Once Upon a Time in Mexico by Sam Peckinpah, painful and proud, and stubborn dirt. Truer than true. It was Mexico, Luis Buñuel, the fierce Skull that gave birth to children and deception violence. In a few have traveled to Mexico by Emilio "El Indio" Fernández. One who in 1946 won the Palme d'Or at Cannes with a film as disturbing Maria Candelaria (1943). For many it was the Mephistopheles in Mapache Wild Bunch (The Wild Buch, 1969) or the mythological figure of El Jefe's masterpiece fazendero I the Head of Alfredo Garcia ( Bring Me the Head of Alfredo Garcia , 1974) . How to blame him ...
A few years ago Guillermo Arriaga to burning the hearts of moviegoers with Quetzalcoatl in the blood. First as a writer of confidence by Alejandro González Iñárritu, then as a director (The Burning Plain , 2008). For Iñárritu remain etched in the minds of the clockwork, the universal geometry, the reality fragmented and dominated by the "linear chaos" of Amores perros (2000) and Babel (2006). Less and aesthetic pleasure of the bungled 21 grams (21 Grams , 2003). The masterpiece is the script written in pen tip to the directorial debut of Tommy Lee Jones The Three Burials (The Three Burials of Melquiades Estrada, 2005), one of the best movies of the last ten or fifteen years. Synthesizes all the best as usual Valerio Caprara: "The strength of hallucinatory glittering landscape, the essence of acting is incisive episodes of counterpoint and balance with which you played the grotesque element (the jailer and inmate interviews with the features of the poor Mexican decay) gives the work Tommy Lee Jones before the brightness of the latest western, regretted the cornerstones of a cinema that did not want to talk only to itself. " Next will be to script
The Tiger planned for 2012 and taken from "The Tiger: A True Story of Vengeance and Survival" by John Vaillant. Directed by Darren Aronofsky, starring Brad Pitt. It is to tremble. In the meantime, it is essential to a small pearl output in peak time of the camera. El pozo . Well. Short film that is part of the project 13 formas de amar a mi México , 13 short films commissioned by TV directors and writers Azteca. A tale of tough, dramatic, dusty. Goat farmers and peasants, bandits on horseback and children. The desert of Coahuila in 1914 is the backdrop to this tale of love and courage. Revolutionary care little or nothing. Quique's suffering we are accomplices. In addition to victims and responsible.
