Small Scabs On Nipples Early Pre

And Darkness descended on Rome: Fanta Festival 2010


It started on Thursday, May 27 Fanta Festival in Rome, Venice International Film Sci-Fi and Fantasy . Issue 30 Tuesday 25 to open the Embassy cinema projection in 3D The Hole by Joe Dante and chaired by the guests of honor Roger Corman, Daria Nicolodi, Asia Argento, Lamberto Bava, and Domitian Cristopharo Werba. A mega marathon of science fiction, horror and all facets of fantasy that will end Sunday, June 6 and will spend between Embassy, \u200b\u200bNuovo Cinema Aquila and Sala Trevi. Thursday, 27 was a lot of emotion, from his Factory myth Roger Corman. Brief Encounter and projections of its three pillars: Man with the X-Ray Eyes ( X: The Man with the X-Ray Eyes , 1963), The Raven (The Raven , 1963 ) and The Pit and the Pendulum ( Pit and the Pendulum , 1961).



nourished and full of goodies including a retrospective devoted to Ray Harryhausen , producer and creator of exceptional phantasmagoria on the big screen. Will be an opportunity to (re) discover gems that are often forgotten as the dinosaur Awakening (The Beast from 20,000 Fathoms , 1953 - the design of Godzilla and stop motion), the version of colorize Earth vs. the Flying Saucers (Earth vs. . the Flying Saucers, 1956), The monster of the seas ( It Came from Beneath the Sea , 1955), The Mysterious Island (Mysterious Island, 1961) and Clash of the Titans ( Clash of the Titans, 1981).



numerous and tasty preview. From Saturday 29: Dario Argento marathon with Yellow (still without distribution, despite a cast that includes Adrien Brody and Emmanuelle Seigner), Darkness (1982) and Trauma (1993). Monday, 31 will be the turn of Saw IV and above the horde Yannick Dahan and Benjamin Rocher presented as a special event to the Days of the 2009 Venice Film Festival, the film is a zombie movie that looks to the discomfort of the Parisian suburbs and the classic adventures of good & bad united social exclusion.



Other unmissable event on June 1 with Survival of the Dead master George A. Romero, the sixth part of the saga of the Dead among the usual sink to American society, Western references, sarcasm and irreverent death instincts exploding.



To note the segment of the television series presented by Fanta Festival: V-Visitors (Friday 28); of the televampiri True Blood, Blood Ties and Vampire Diaries (Saturday 29), the reboot of the cult series The Prisoner (Sunday 30), the sci-fi miniseries The Lost Room (Monday 31), self-contained episodes of old routes in the gothic and science fiction stories and the thrill of FantaRAI HammerTV, plus a preview of House of the Flesh Mannequins of Domitian de Cristofaro.



Finally "chills Italians" to the Trevi Cinema 3 to 6 June thanks to masters like Mario Bava ( The mask of the devil , 1960) and Camillo Mastrocinque ( nightmare Crypt, 1964), as well as (s) such as our own cult of terror Camping (Ruggero Deodato, 1987) and 7, Hyden Park - La casa damn (Alberto De Martino, 1985). For the complete program: www.fanta-festival.it .

That Diafanoidi can (re) take us to Mars.

Free-forced-cock-milking

Strange day for vampires. Near Dark


Before Twilight and New Moon saga , before the vampires beautiful and no more damned before True Blood, The Vampire Diaries , Supernatural and TV company, there was her. Kathryne Bigelow. Before Blue Steel and Point Break there Near Dark (Darkness approaches ). It is 1987 and the young American director throws down a script to duet with Eric Red, who also wrote the cult horror The Hitcher (1986) and then behind the camera for the wonderful (and sadly forgotten) Cohen and Tate (1988, Italy in the past as Cohen and Tate ). The horror experiencing a particular period: Romero is in the process of melodramatic Monkey Shines, Carpenter is clinging to the anarchic telecrazia They Live, the new Cronenberg torn flesh fly and inseparable Jeremy Irons and Jeremy Irons, the gasps of our national terror cats Opera in the brain and crows. Thus the Bigelow has a different idea than usual for his first film set a classic vampire story starring young, beautiful and damned, in the hot sun of Oklahoma.


Caleb from the soul is a handsome rough and gentle at the same time: his best friend is a horse. One night he meets the charming Mae and does everything to seduce her, including giving her her neck. Without knowing that she is a vampire and is part of a crazy gang made up of a couple, Jesse (beautiful face wrinkled by Lance Henriksen) and Diamondback, a sadistic psychopath named Southern Severen (Bill Paxton is a very credible) and Homer, a man in the body of a child. Caleb does not want to kill to survive and satisfy their thirst for blood. He must do when kidnapped by five and forced to beat the dusty streets of the U.S. in search of the sacred nectar red. Only love can save his soul, traced the path of righteousness by the presence of the father and sister Sarah, traveling on his trail.


A rather banal plot, carried out with wrist superb narrative and dialogue peppered with some illuminating. The Bigelow declines in the men's classic story of impossible love, plunges the vacuum and the dark interior of the characters nell'afosa heat of Texas, memorable turns pages of great cinema when it evokes the first kiss of Caleb and Mae with a slow motion, and thrilling besieging the circle of freaks in a motel with the wisdom of a western of yesteryear. Sexual feelings and voracity of the stomach are held in check, there are other links to be preserved. Instincts which inflate fears and obsessions, among temptations melodramatic action and explosions overflowing. An extraordinary visual talent, surrounded by lights typically eighties and focuses on the worst-marginalized, different social status and ethical choice. Near Dark is also this: the body of the film that changes, that needs love, blood and violence for its sole purpose. Survive.

Be blinded by the night. The feel? It will be great.

Groping In Train 2010

us know. And we know you. Avenge


Sam Peckinpah, Jean-Pierre Melville, John Woo and Tsui Hark, Johnnie To is only . Director only for the purity of his camera eye reveals that impossible paths (those of the bullets that pierce the bodies and souls sink) and tortuous personal paths (those of strangers who become brothers). Avenge ( Fuk sau , 2009) is his latest work, presented at the 2009 Cannes Film Festival in May 2010 and only distributed in Italy by Fandango (despite having been awarded the Black Lion for best film at the Noir Film Festival Courmayeur). An idea of \u200b\u200bpure cinema that Johnnie To, who chooses as protagonist of the story the stone face of Johnny Hallyday. It is no coincidence that the character played by French rocker is called Costello, Frank as the "face of an angel" of Melville, Jef samouraï that the face was sad and lonely Alain Delon (he originally called da To per il ruolo del padre in cerca di vendetta).


Solitudini che si incontrano tra Parigi, Macao e Hong Kong. Senza ritorno. Costello vede la sua famiglia distrutta nel giro di un attimo. Neanche il tempo di un pranzo e tre killer uccidono suo genero e i due nipotini. Non potevano fare altrimenti. La figlia è salva per miracolo. E chiede vendetta. Fino a che punto può arrivare un uomo per soddisfare questa sete? La risposta è nel percorso di purificazione che compie. Prima tappa Macao, per assoldare tre killer spietati, i migliori. Kwai (superbo come sempre Anthony Wang), Chu e ‘Fat’ Lok. «Non esiste solitudine più profonda del samurai, se non quella della tigre nella giungla». There is no stronger bond than that which is created between people who have given their word. Seem to see Pike and Deke: "He gave his word. No matter whose. " "Instead matter." At the risk of turn against its leader, the instigator of the massacre. The three arms are from Hong Kong. The shooting of seven in the woods is a concentrated fury to send a visual memory. Like the table spread that scans every single action of the group. As evidence of the old, worn, pleasant obsession that Asian cinema (especially that of To) 'feeds' to the food.


A paradox is the true nature of Costello is a chef, does not touch a gun for twenty years. Because in the past was a killer. A bullet entered the head and cause continuous loss of memory. It may thus make sense to revenge? Sure, as long as the target passes in front of trash cubes into a graveyard of objects, absurd polariod, languid eyes, sudden flashes of a 'gunfight' infinite. A sad and ironic lyricism, which is steeped in four kicks a ball in the company of a bunch of kids and a sardonic laugh, release, before a bowl of rice. The rain keeps falling, the clouds deep left field for a beautiful moon, lights and shadows like the holes that fill with blood. Stillness and movement. A space full of bodies that embody deep ethic. Almost unthinkable today. Like slow motion to expand the time and praise to an endless night.
Wonderful, crazy Johnnie To.